![]() ![]() I guess I was having a hard dime figuring exactly what makes something magical realism. Everything in the film is undersold, and that helps. He steps out, changing back, and it’s a beautiful simple moment of visual magic. When Doc Graham has to decide if he’s going to stay young, if he’s going to remain the ball player he was or if he’s going to save that little girl… it’s not really a choice. “Field Of Dreams” only has a few special effects, and one of the best ones is used to sell just how important the entire moment was. You can’t shrug it off.īut you also can’t pound on it in such an obnoxious and obvious way that it’s just VFX wanking, pointless flashes of lights and explosions. And in each case, the moment where they have to adjust is playing honestly, because you have to acknowledge that something outside of the ordinary is happening. Then you introduce the first element of magic. The main reason it works is because first it feeds you just enough information to understand who everyone is. That’s missing the bigger picture, though. Now, sure, part of the reason I’ll accept “Field Of Dreams” is because they get the emotional side of things right. I suggested that this is the sort of a question worth answering in an article, but offered one immediate example that came to mind. What are some films you think handle magical realism well?” Several people accused me outright of simply hating magic and romance in movies, which is silly, and it was (Sam Van Haren) who asked me: “Just read your “Winter’s Tale” review. Yesterday on Twitter, someone asked me the simple version of a larger point made in some angry e-mails about my “Winter’s Tale” review.
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